Philip FriedFall/Winter 2021-22

Volume 20, no. 1

Philip FriedFall/Winter 2021-22
Volume 20, no. 1
 

POETRY

IM Christopher Bursk

Jude Nutter
Ianua: 19 September 2016

George Szirtes
Summer Collapses
On Music as Function
My Career in Advertising
Landscape with Figures
A Fear of Endings
Children Flirt with Ghosts

D. Nurkse
Our Winter
A Secret Passage
1940
Anika

Philip Gross
Springtime in Pandemia

Marilyn Hacker and Karthika Naïr
from A Different Distance

Irena Klepfisz
Der fremder in der fremd
March, 1939: Warsaw, Poland
Grief: Brunswick Public Library, Maine
The old poet remembers the immigrant girl

Jacob Glatshteyn
Translated from the Yiddish by Marc Kaminsky
The Yiddish Word
Note on “The Yiddish Word”
To a Sister in the Far-Off Distance
Wagons
A Hunger Befell Us
A Little Night Music
A Melody
Ghetto Song
God Is a Grieving Maharal
Good Night, World
Here I Have Never Been
In a Chapel
Note on “In a Chapel”
The Traveling Man

Neil Shepard
In the Vilnius Café
After the Blizzard

Baron Wormser
Now and then it rains money
Ode to the Stock Exchange

Kjell Espmark
Translated from the Swedish by
Robin Fulton Macpherson
from A Cloud of Witnesses

Tim Liardet
Portrait of the Gateway as a Lapis Blue Link
None of You Shall Go Out of the House Until Morning
When the Mennonites Stopped Singing
20/20 Eyesight (in Praise of)
20/20 Eyesight (in Praise of)

Alan Bleakley
A Family Flagstone Rings with Our Steps ...
Nearly fish, first from bird
Nerines
Santra (Sweet-like, and Orange) ...
The Soft-kissing of Adder and Dog

Robin Fulton Macpherson
Notations
The Day Recovers
Spring Forest
After the Longest Night
Wakened by Bells
Morning on the Trave
Kommt, ihr Töchter ...
Fjord
Evening’s Uncertainty

Pattiann Rogers
Assessing the Situation: Breath, Spirit, and Chickadees
Never Alone
The Skedaddlers, an Overview

Eleanor Rees
Turned Earth
By the Walled Garden

John Kinsella
Andy Warhol’s Cow Wallpaper ...
Dream Elegy (Reprise) for Les

Harry Clifton
The Felling
Alice

John Greening
from Greening’s Request

Penelope Shuttle
some of the wreckers were women
Keeping Company
Stables at Trelissick

Kate Farrell
The House Behind the Velvet Ropes

Jeanne Marie Beaumont
Self as Last Call
Homegone
Strictly Speaking, I’m Already Dead

Cheryl Moskowitz
Morning
Moon Cradle
The Ants

Mark Sullivan
Rain Shadow
City Fireflies
Brick Work
The Goldberg Variations Played on the Accordion

Barry Wallenstein
A Political Moment
Instructions
Luminous Danger

Nicola Vulpe
Such Dreams
My Mother, Asleep
On the News That Sagittarius A* Grows Hungrier

Peter Krumbach
Nightshift in Produce
Ode to KO
Misprized
Waiting Room

Heidi Williamson
Town Dump, 1979
A backroads view of occasional visiting rights
Morning

Anja Konig
In Distant Worlds
Antagonistic Co-evolution
Sexual Dimorphism
Gravity

Martha Silano
Postpartum Psychosis
My New Smart Phone
I thought by now
How to Do Just About Anything
S’il Vous Plait/Désolé

Hal Sirowitz
The Golden Trumpet
Tap Dancer

Minter Krotzer
So Faded

Roger Greenwald
Welcome Back / Come Again

J. R. Solonche
A Reading

CONTRIBUTORS’ NOTES