Reviews

review by Lem Coley
review by Lem ColeyPhilip Friedby Angie Estes

Last Day on Earth in the Eternal City

I’ve never liked blurb writing. It reminds me of the Taoist maxim “do all by doing nothing,” the blurb version being “Say nothing by saying all.” But with Angie Estes’s new book, Last Day on Earth in the Eternal City, the blurb writers have nailed it: “moving between artistic/literary history and the perils of human desire” (Mark Irwin), …

review by Lem ColeyPhilip Friedby Angie Estes
Last Day on Earth in the Eternal City
review by Lem ColeyPhilip Friedby Jeanne Marie Beaumont

Lessons with Scissors

Lessons with Scissors is Jeanne Marie Beaumont’s fifth book, and this is old home week for many of its poems, which came out first in The Manhattan Review. She has also seen her verse play acted on the stage and is a visual artist known for collages and assemblages—an interest which shows up in the book as “Bebe Marie” where Joseph Cornell’s doll figure gets inside a viewer’s brain.

review by Lem ColeyPhilip Friedby Jeanne Marie Beaumont
Lessons with Scissors
review by Lem ColeyMallika Voraby Peter Krumbach

Degrees of Romance

Peter Krumbach’s book of prose poems, already adorned with the Antivenom Poetry Award from Denver’s Elixir Press, sits at the axis of two poles—Czechoslovakia and surrealism. Krumbach left Czechoslovakia long ago and has lived in Southern California for 25 years, but he was born in Brno and stayed long enough to earn a degree in Visual Arts.

review by Lem ColeyMallika Voraby Peter Krumbach
Degrees of Romance